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Canadian singer-songwriter Lindsay Kay creates music that is "ethereal, melancholy and dabbles in unreality while keeping gracefully attached to this world," says New Sick Music. In 2018, the Berklee College of Music graduate released her debut album For the Feminine, by the Feminine - a meditation on themes of femininity, written and produced solely by Kay. The album was made entirely by a female-identifying team – every role was filled by a woman. Uplifting, connecting and employing women in the largely male-dominated music industry is something Kay is passionate about. For the Feminine has been called "a manifesto of solidarity and inclusion," by No Depression and "a record that gives comfort in hearing one’s own experiences mirrored back, and there is solace in knowing we are not alone in our pain and restlessness," by For Folk's Sake. Kay has staged multimedia and interdisciplinary performances all over North America and Europe, incorporating dance and movement, light installations and stage design, and elaborate costuming. She is currently based in Paris, France and is working on her sophomore album. Her new single Through the Phone is a strikingly vulnerable, empowered and sensual song written and produced again by Kay. At its core, it is a song about a sexual encounter over the phone, but it also explores the need for connection, intimacy, and romance which the isolation of the pandemic left so many of us starved for and searching for through our phones.