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Clementi: Gradus ad Parnassum, Vol. 3 ...

685.9K streams

685,937

Clementi: Gradus ad Parnassum, Vol. 3 ...

685.9K streams

685,937

Rossini: Piano Music, Vol. 6

442.5K streams

442,538

Clementi: Gradus ad Parnassum, Vol. 4 ...

394.6K streams

394,616

Clementi: Gradus ad Parnassum, Vol. 4 ...

394.6K streams

394,567

Rossini: Piano Music, Vol. 10

255.3K streams

255,273

Clementi: Gradus ad Parnassum, Vol. 1

114.5K streams

114,483

Clementi: Gradus ad Parnassum, Vol. 1

114.5K streams

114,483

Rossini: Péchés de vieillesse — Ch...

86.5K streams

86,513

Rossini: Piano Music, Vol. 11

84K streams

84,042

Biography

Born in Italy in 1979, Alessandro Marangoni studied the piano obtaining a diploma with honours and continuing his studies at the Scuola di Musica di Fiesole with Maria Tipo. He graduated with honours in Philosophy at the University of Pavia as a student of the Almo Collegio Borromeo. Alessandro Marangoni burst onto the international concert stage when he played at Teatro alla Scala in Milan, as pianist soloist during a tribute to the great Italian conductor Victor de Sabata, with Daniel Barenboim. Soon after he was signed as an international recording artist with Naxos. His growing discography has received international critical acclaim for his interpretation and technique that fueled his meteoric rise on the concert stage in Europe, America and China. He recorded for the first time in the story the complete Péchés de vieillesse by Rossini (13 Cds), with 20 first world recordings. As a noted advocate of Italian music, he recorded also Clementi’s Gradus ad Parnassum (4 cds) and Castelnuovo-Tedesco Piano Concertos with Malmo Symphony Orchestra, as well as Evangélion (first recording) and the complete cello and piano works with Enrico Dindo, Liszt's Via Crucis, all on the Naxos label. He won the prestigious Abbiati Prize by the Italian Critics. Acclaimed from the international press, some magazines like Ritmo and Musica dedicated a cover to Alessandro. Gramophone magazine choose his recordings as a landmark for Rossini’s interpretation at the piano www.alessandromarangoni.com