Through studies, dissections and experimentations on analogue synthesizers, Thomas B. Martin and Antoine Bordeleau have built the sonic identity of Boskorgï: an ambient and groovy sound in which transpires the influence and attitude of the LA Beat Scene, modern funk, jazz and 90s soul. In November 2017 Boskorgï put out Saké'd, their first EP presented as a continuous track, dominated by groovy basslines, hypnotic synthesizers, throbbing beats and hip-hop textures. It lays the foundation for a soothing and meditative musical signature that aspires to evolve. With Acid Nightmare, Boskorgï's beat and samples supported Jei Bandit’s flow as they dabbled in the lo-fi hip-hop genre. The duo subsequently released an instrumental single titled Convalescence in 2018, opening the door to a new and more diverse palette of timbres and mixing techniques. With their debut album Jazz Pranksters, expected on November 29, 2019, the duo displays the experience gained in their home studio. Through an almost entirely analogue instrumentation where loops give way to long tracks punctuated by improvisation, Boskorgï delivers a sound anchored in a jazzier and more experimental aesthetic than its previous efforts, revealing an even broader spectrum of influences. The duo collaborated with a number of great artists on this record, including Hubert Lenoir, Scott Munro (Preoccupations), Ariane Moffatt and Léonie Gray.