Performance

Monthly Listeners

Current

Followers

Current

Streams

Current

Tracks

Current

Popularity

Current

Top Releases

View All

Everything Sucks

170.8M streams

170,806,067

1992 Deluxe

102.9M streams

102,864,123

Everything is Beautiful

53.7M streams

53,721,214

Metallic Butterfly

18.6M streams

18,553,853

A Girl Cried Red

14.3M streams

14,286,002

It's Not My Fault

11.1M streams

11,062,408

No Effort

9.8M streams

9,790,563

Boys Are From Mars (feat. Yung Baby Ta...

4.2M streams

4,155,917

Diva

4.1M streams

4,057,717

i love you but this is goodbye

2.5M streams

2,464,703

Biography

Culture dictates its own leaders. As the mainstream morphs after generations of homogeny, today’s outsiders demand a voice in the spotlight. Princess Nokia certainly speaks up. The New York-born Puerto Rican MC, singer, songwriter, entrepreneur, style icon, actress, and activist amplifies her own voice across music, fashion, film, and society in 2019 and beyond. She may have been born Destiny Frasqueri, but today, Princess Nokia projects a symbol of possibility—proving the power of authenticity supported by a growing movement. After a series of releases, she infiltrated the conversation with the 2017 independent breakthrough, 1992 Deluxe [Rough Trade]. Not only did it reach the Top 25 on the Billboard Heatseekers Chart, but NME pegged it among “The Albums of the Year,” Noisey graded it “A,” and The Guardian rated it 4-out-of-5 stars. Regularly selling out headline tours, often directing her own videos, and consistently churning out tens of millions of streams, she kept her business independent and made calculated moves to be heard even louder—ranging from hosting an Apple Music Beats 1 Radio show “The Voice in My Head" to co-starring in Maison Margiela launch for Mutiny. Quietly rising up as a voice the game needs, Princess Nokia continues to rap for all the right reasons. As she puts it on “Sugar Honey Iced Tea (S.H.I.T.)” she affirms, “Don’t do this shit to be famous, I do this shit because I love it.” She might just be the voice the culture needs.