Portland-based guitarist and composer Marisa Anderson has enjoyed a varied and eclectic career, from involvement with the country-folk outfit the Dolly Ranchers and the improvisational ensemble Evolutionary Jass Band to individual highlights like 2013's critically lauded solo guitar album Mercury. Her unusual career has been everything but a straight line, including years of environmental and social activism in the U.S. and Mexico, a lengthy stint teaching at the Rock Camp for Girls in the late 2000s, and a series of unique solo albums that saw her melding American traditional musics from blues, gospel, country, folk, and jazz to circus music, minimalism, electronic music, drone, 20th century classical, and improvisation. In the late 2010s, Anderson signed with the Thrill Jockey label where, among other releases, she delivered inspired collaborations with drummer Jim White (2020's The Quickening) and guitarist William Tyler (2021's Lost Futures). 2022 brought the spare and ruminative solo set Still, Here, and in 2023 she released her score to filmmaker Jeff Rutherford's A Perfect Day for Caribou. In 2024, Anderson and White released the duo set Swallowtail. Originally from Northern California, Anderson's earliest musical memories include hearing church music, classical in her mother's car, and country in her dad's truck. She has been playing the guitar since age ten. She dropped out of college at 19 and relocated to Portland in 1999. As an environmental activist, she spent part of the early '90s living in her car or a tent, and walking across the United States to raise awareness about environmental issues with 100 other people. She was also part of Circo de Manos and performed among the indigenous peoples and subsistence farmers during the Chiapas conflict in Southern Mexico. Her early musical projects included membership in the Dolly Ranchers from 1997 through 2003; she played on both of their albums. She also worked at Rock Camp for Girls between 2003 and 2011 (and contributed to its self-titled book). Anderson spent six years with the completely improvisational Evolutionary Jass Band, with whom she recorded three albums. Her first solo album, Holiday Motel, was issued in 2006 by 16 Records, and was an OUTmusic Award nominee for Best Female Debut Record. In 2009, she recorded the completely improvised The Golden Hour on Mississippi Records. Its 12 selections for guitar or lap steel were recorded on four-track tape. The solo guitar effort Mercury followed in 2013 (also on Mississippi). The album was internationally acclaimed and made numerous year-end lists in print and in digital media. She also released Traditional & Public Domain Songs through Grapefruit Records that same year. Given her increased profile, Anderson's concerts and festival appearances in Europe and the United States were more often than not sold-out. In 2014, she was a featured guest on Sharon Van Etten's Are We There?, and the following year Anderson and Tashi Dorji released a split LP on Footfalls Records. Anderson's fourth album, Into the Light, was released in June 2016 on her own Chaos Kitchen Music. Playing guitars, lap steel, pedal steel, and electric piano, she referred to the recording as "an imaginary soundtrack for a science fiction western." After signing with Thrill Jockey, she returned with the textural and wide-ranging Cloud Corner in the summer of 2018. Her music has also been featured on several soundtracks, including Smokin' Fish, For the Love of Dolly, Girls Rock, and Gift to Winter. In an inspired collaboration, Anderson paired up with Australian drummer Jim White (Dirty Three, Xylouris White) in Mexico City to record a collection of improvised works which came out in May 2020 as The Quickening. While that album showcased Anderson's more rugged and spontaneous side, her next project, a 2021 set of guitar duets with William Tyler called Lost Futures, was full of more articulate and gently pastoral arrangements. Returning to solo work, Anderson delivered one of her most contemplative and solitary collections yet in 2022's Still, Here. Recorded, produced, and performed entirely on her own, the album plays almost like a real-time sonic journal of ongoing thoughts and personal moments. The following year, Anderson released her first film score, composed for director Jeff Rutherford's A Perfect Day for Caribou. The film's narrative centered on an estranged father and son who spend the day searching for family and stumbling through disharmony and heartache. Late in 2022, she and White also recorded the duo set Swallowtail before embarking on tour. It was cut in the Australian coastal town of Point Lonsdale, Victoria, with engineer Nick Huggins, and released by Drag City in May 2024. ~ Thom Jurek, Rovi