Performance

Monthly Listeners

Current

1.31 %
0 less streams than the last month

Followers

Current

1.06 %
0 less streams than the last month

Streams

Current

11.19 %
0 less streams than the last month

Tracks

Current

Popularity

Current

Top Releases

View All

Boneless

149.1M streams

149,102,004

Delirious (Boneless) (feat. Kid Ink)

141.5M streams

141,488,383

Somebody (2024)

94.9M streams

94,890,059

Deceiver

39.4M streams

39,368,424

Free Your Body

29.8M streams

29,774,986

A Drug From God (Rebūke Remix)

25.9M streams

25,938,737

Dummy – Chris Lake Remix

25.9M streams

25,860,386

I Want You

25.4M streams

25,407,022

All Night Alone (Chris Lake Edit)

20.4M streams

20,431,998

Hey Pablo EP

19.6M streams

19,551,590

Biography

In a moment of clarity while on tour, Chris Lake felt an undeniable urge to refocus his sound and career. “I ended up back in England where I lived for many years with my family, in my mother’s spare room,” he says. “It was like going back to the old me to find the new me.” Lake’s credits include several Billboard chart-toppers, a platinum record, a Grammy nomination, a successful record label, and a Midas touch for supporting emerging talent. Enter 2017 and he’s showing no signs of slowing. He kicked off the year with a new record label called “Black Book Records”. The debut release “Operator ft. Dances With White Girls”, was the Holy Ship! anthem by the end of January and gained support from almost every house DJ - from Claude Vonstroke and Green Velvet to Disclosure and Duke Dumont. The viral lyrics became unavoidable at spring festivals. March saw OWSLA release “I Want You” with a gory mind-bending video that’s gained over 2M views. By April a compilation Chris co-curated with Skrillex was released called HOWSLA. It put an emphasis on forward thinking four to the floor records by young producers. The compilation went to #1 in the iTunes Dance Chart and was celebrated at a live-streamed release party. Not only is Chris Lake feeling inspired, he’s overflowing with work. “I’ve got enough material to release a record every 4 weeks for the next 18 months”.