Spanning noisy improvisational rock, folky meditations, and more, Magik Markers make the most of their stream-of-consciousness approach. When they emerged from a Connecticut basement in the early 2000s, their prolific self-released recordings barely contained the freewheeling energy of Elisa Ambrogio's vocals and guitar and Pete Nolan's drumming. Though they tempered their attack somewhat on 2005's official debut album I Trust My Guitar, Etc., it wasn't until 2007's Boss that the band honed their music into clearly defined songs. Paradoxically, giving their work more structure allowed them to explore more sounds, and on albums such as 2013's Surrender to the Fantasy and 2020 (which was released that year), Magik Markers folded aching ballads, brash guitar pop, and droning experiments into their music with the same intuitive confidence of their earliest work. Magik Markers' roots go back to the late '80s, when Ambrogio and founding bassist Leah Quimby met in grade school. During their high school years, the pair discovered underground rock and went to shows. In 1999, Ambrogio met Nolan in a Budapest, Hungary youth hostel and became friends. A fixture of East Lansing, Michigan's indie music scene, Nolan also made dreamy lo-fi music as Spectre Folk that he released on his own Arbitrary Signs imprint. In 2001, Ambrogio, Quimby and Nolan moved into the upstairs apartment of the Hartford, Connecticut home of Ambrogio's grandparents. They began jamming in the basement, taking inspiration from acts like the Dead C for their heavy, free-rocking sound. Dubbing themselves Magik Markers, the band made tapes and CD-Rs available at their shows. Their earliest recordings included 2002's Arbitrary Signs releases Beep! Beep! and Mystery City, both of which the band made to sell on their first U.S tour. In the audience at one of these shows was Thurston Moore, who invited the group to play on Sonic Youth's 2004 American tour. That year, Magik Markers booked time at Brooklyn's Rare Book Room studio. Their sessions produced the 2004 CD-R Blues for Randy Lee and the following year's I Trust My Guitar, Etc., their debut album for Moore's label Ecstatic Peace. That year also saw the release of Feel the Crayon, a co-release between Arbitrary Signs, Apostasy, and Not Not Fun. In 2006, Magik Markers were especially prolific. In addition to The Volodor Dance, an installment in Southern Records' Latitudes series, and A Panegyric to the Things I Do Not Understand on Gulcher Records, they also released works on Hospital Productions, Textile Records, and Arbitrary Signs. After Quimby left the group that year to pursue a career in ventriloquism, Ambrogio and Nolan continued as a duo. For their second Ecstatic Peace album, they worked with Tall Firs' Aaron Mullen and Lee Ranaldo at Sonic Youth's Echo Canyon West studio in Hoboken, New Jersey. The results were 2007's Boss, which featured a more structured approach to recording as well as songwriting. Along with a steady stream of Magik Markers CD-Rs released by Arbitrary Signs, that year also saw Nolan's Spectre Folk project make its debut on Woodsist with The Blackest Medicine. In 2008, Magik Markers toured Scotland, Austria, Ireland, Latvia and Wales. While in Europe, they performed live at Abbey Road's Studio A, and Nolan played drums in Jandek's band at a London show. The band's releases that year included Gucci Rapidshare Download, a part of Three Lobed's subscription series that remixed downloads of the band's CD-Rs with new and old material as well as contributions from Six Organs of Admittance's Ben Chasny, and Pewtre Ser, which they recorded with an old bandmate of Nolan's in San Francisco. Ambrogio and Nolan also found time to pursue individual projects: Spectre Folk toured the U.K., while Ambrogio joined forces with members of Comets on Fire as SF Dirty Stealer and joined Six Organs of Admittance on tour in Europe and the U.S. At the end of the year, Magik Markers recorded with Grammy winning producer Scott Colburn. Balf Quarry, which also featured guitar work by Chasny, arrived in May 2009 on Drag City and continued to streamline the band's sound. That year, they also issued Baltimore Trust, a live recording of a 2003 show in Baltimore, and a split release with Sic Alps that they sold while on tour with that band. For the Balf Quarry shows, Magik Markers brought on bassist John Shaw, a longtime friend and a former member of the drone band GHQ. Following Balf Quarry's release, Magik Markers' hectic pace slowed as members spread across the country and started families. In 2011, the band released the limited-edition cassette Isolated from External Time. Ambrogio and Nolan also worked on music separately that year: The former teamed up with Chasny as 200 Years, and delivered their self-titled album that November. Spectre Folk returned with The Blackest Medicine, Vol. 2, which added Mullen, Steve Shelley, and the Grey Lady's Peter Meehan to the fold; this lineup also appeared on the following year's The Ancient Storm. During this time, Ambrogio, Nolan and Shaw recorded their fourth album, November 2013's Surrender to the Fantasy, in studios ranging from J Mascis' attic to the basement of Ambrogio's father's home. Over the next few years, the bandmembers returned to their other projects. Ambrogio's solo album The Immoralist appeared in 2014 (the same year that Arbitrary Signs issued the archival recording Searchin' Searchin' for That New Sound), while Spectre Folk issued Vol. 4 on Vampire Blues in 2017. Shaw pursued beekeeping, and Nolan earned his master's degree in special education. Magik Markers resurfaced in 2020 with a pair of releases: Isolated from External Time: 2020, a digital EP released that July, and the full-length 2020, which juxtaposed some of the band's most aggressive and delicate sounds. ~ Heather Phares, Rovi