American producer, DJ, and singer/songwriter Moby is one of the most important, successful, and outspoken figures in electronic music, though his work spans a variety of rock and pop styles as well. His crossover success during the 1990s helped bring techno into the mainstream and established him as a progenitor to the crop of superstar DJs that would define the next wave of popular electronic music. At the peak of his breakthrough visibility, he courted controversy for putting a public face to the notoriously anonymous electronic genre and attracting scorn from techno purists. Not only did his music differ from both the cool surface textures of ambient music and the hedonistic world of house music, so did his lifestyle: Moby was famous for his devout Christian beliefs, as well as his environmental and vegan activism. First breaking into the British Top Ten with the 1991 single "Go," 1995's critically acclaimed Everything Is Wrong fused rapid disco beats with heavy distorted guitars, punk rhythms, and detailed productions that drew equally from pop, dance, and movie soundtracks. After returning to his punk rock roots with 1996's Animal Rights, Moby transitioned into a new role as a crossover pop star with 1999's seminal blockbuster Play. While his chart success would not reach the same heights again, he maintained his fan base with steady, reliable output, swapping between traditional house tracks, moody pop/rock tunes, and expansive ambient collections into the 2020s. Occasionally, he even dipped back into guitar-based, politicized anthems with side band the Void Pacific Choir. In the early 2020s, he issued the reimagined retrospectives Reprise and Resound NYC. Always Centered at Night, featuring tracks from his collaborative label/project of the same name, appeared in 2024. Born Richard Melville Hall, Moby received his nickname as a child, derived from his parents' belief that he was related to Moby Dick author Herman Melville -- a claim which has since been disputed. He was raised in Darien, Connecticut, where he played in a hardcore punk band called the Vatican Commandos as a teenager. Later, he briefly sang with Flipper while their singer was serving time in jail. He attended college for a short time before he moved to New York City, where he began DJ'ing in dance clubs. Beginning in 1990, he released a number of singles and EPs for the independent label Instinct. In 1991, he set "Laura Palmer's Theme" from David Lynch's television series Twin Peaks to an insistent house-derived rhythm while remixing his track "Go," the B-side to his debut solo single, "Mobility." The updated "Go" became a surprise British hit single, climbing into the Top Ten. Following its success, Moby was invited to remix a number of mainstream and underground acts, including Michael Jackson, Pet Shop Boys, Brian Eno, Depeche Mode, Erasure, the B-52s, and Orbital. Moby continued performing at dances and raves throughout 1991 and 1992, culminating in a set at 1992's Mixmag awards, where he broke his keyboards at the end of his concert. Moby, his first full-length album, appeared in 1992, although it was released without Moby's involvement and contained tracks that were at least a year old at the time. In 1993, he released the double A-side single "I Feel It"/"Thousand," which became a moderate U.K. hit. According to The Guinness Book of Records, "Thousand" is the fastest single ever, appropriately clocking in at 1,000 beats a minute. That same year, Moby signed a record contract with Mute in the U.K. and major-label Elektra in the U.S. His first release for both labels was the six-song EP Move. His previous American label, Instinct, continued releasing CD collections of his work against his wishes. These included Ambient, which compiled unissued material recorded between 1988 and 1991, and Early Underground, which collected tracks from several of his singles and EPs under different pseudonyms, including the original version of "Go." The Story So Far, a U.K. version of Moby with a different track listing, also appeared. In 1994, the single "Hymn" -- one of the first fusions of gospel, techno, and ambient music -- was released. The song reappeared as the lead track to Everything Is Wrong, Moby's first album released under his new record deals. The full-length appeared in the spring of 1995 to uniformly positive reviews, especially in the American press, which had previously ignored him. The album was certified gold in the U.K., while three of its singles hit the Top Ten on Billboard's club chart. The following year, Moby revisited his roots in heavy guitar-based music for 1996's Animal Rights, which featured a cover of Mission of Burma's "That's When I Reach for My Revolver." He also released The End of Everything, an ambient techno album credited to his occasional pseudonym Voodoo Child, on Trophy Records, his own sublabel of Mute. One year later, Elektra collected his soundtrack highlights for I Like to Score, a compilation that included his remix of "The James Bond Theme" for Tomorrow Never Dies, as well as contributions to Cool World, Heat, and Scream. Moby's fifth studio album, Play, appeared in 1999. Surpassing everyone's expectations, the record -- featuring numerous samples of Alan Lomax field recordings -- went double platinum in the U.S. and reached number one in the U.K. Aside from its hit singles, Play's success was assured when its tracks were licensed by dozens of advertisers and compilers. Always a restless producer, Moby followed Play with 18 (2002), a relatively reflective and restrained set dotted with an eclectic list of guest vocalists (including MC Lyte, Angie Stone, and Sinéad O'Connor). It debuted at number four on the U.S. Billboard 200 and topped charts in several other countries. Hotel, a mixture of contemporary rock and downbeat electronica, appeared in 2005; early copies were bundled with an ambient disc worthy of separate release. On Last Night, Moby made a return to club hedonism with some of his most creative -- if unapologetically nostalgic -- material. The austere and morose Wait for Me (2009), featuring a show-stealing appearance from soul singer Leela James, was just the opposite in tone. Destroyed (2011), recorded during late-night sessions in hotel rooms, offered a natural extension of Wait for Me's alienated feel. The companion piece Destroyed Remixed (2012) followed shortly thereafter; a limited double-disc compilation, it featured exclusive remixes by David Lynch, Holy Ghost!, and System Divine, as well as a previously unreleased 30-minute ambient piece by Moby himself. After several appearances in early 2013, including DJ sets at the Coachella Festival, Moby released a single for Record Store Day entitled "The Lonely Night," which featured vocals from Mark Lanegan. The song was included on Innocents, a predominantly downcast album released that October. Other guest vocalists included Damien Jurado, the Flaming Lips' Wayne Coyne, and Skylar Grey. Three shows were performed in support of the album, all of which took place at Los Angeles' Fonda Theatre. A two-CD/two-DVD documentary, Almost Home, was released in March 2014. Late that year, Moby issued an expanded edition of Hotel Ambient, which was originally featured as a bonus disc on the limited-edition version of 2005's Hotel. An additional ambient collection, Long Ambients 1: Calm. Sleep., was later released as a free download. During the latter half of 2015, Moby debuted Moby & the Void Pacific Choir. The first single, "The Light Is Clear in My Eyes," brought back some of the post-punk-inspired crunch from Animal Rights. The following May, he published Porcelain: A Memoir, which focused on his life in the '90s. The book was complemented by a two-disc collection that included Moby highlights from that decade and a selection of tracks by artists who influenced him, including the Jungle Brothers, 808 State, and A Tribe Called Quest. An album from Moby & the Void Pacific Choir, These Systems Are Failing, arrived later in the year. The second Void Pacific Choir effort, More Fast Songs About the Apocalypse, was issued in 2017. Moby returned the following year with Everything Was Beautiful, And Nothing Hurt. Taking its title from Kurt Vonnegut's book Slaughterhouse-Five, the album also saw him looking back to classic trip-hop for influence. Then It Fell Apart, a second memoir covering 1999 to 2009, was published in 2019. In a charitable move, Moby announced that the proceeds from his 17th full-length, 2020's All Visible Objects, would be donated to a variety of charities with each track benefiting a different organization ranging from animal rights to environmental welfare. He capped the year with Live Ambients: Improvised Recordings, Vol. 1. For his 19th set, Moby recruited an impressive roster of guests for the career retrospective Reprise. Released in 2021 on Deutsche Grammophon, the album reimagined past tracks with orchestral and acoustic arrangements, pairing the likes of Gregory Porter and Amythyst Kiah for Play's "Natural Blues" and Kris Kristofferson and Mark Lanegan for "The Lonely Night." It was released on the same day as the biographical documentary Moby Doc, and followed in early 2022 by its remix album, Reprise Remixes. Moby founded the label/collaborative project Always Centered at Night, which launched in June of 2022 with "Medusa," featuring Aynzli Jones. Ambient 23, another lengthy ambient set, appeared on the first day of 2023. A further collection of reimagined songs arrived in the form of Resound NYC, which merged the orchestral approach with guests such as Ricky Wilson (Kaiser Chiefs), the Temper Trap, Damien Jurado, and returning collaborators Porter and Kiah. "You & Me," a collaboration with Italy-based DJ/producer Anfisa Letyago, was released by Defected in 2024. Always Centered at Night, a full-length including the singles previously issued through the label, appeared in June. Guest vocalists include serpentwithfeet, Benjamin Zephaniah, José James, and others. ~ Stephen Thomas Erlewine & Andy Kellman, Rovi