The DIY ‘supergroup’ formed in 2012, respected players on a young, queer, East London scene that counted basement venue Power Lunches (RIP) as its hub. Their sound – kinetic, minimalist dance-punk inspired by the likes of ESG, Gang of Four, Slits and Au Pairs – has won them glowing press from all quarters (NME, Pitchfork, NPR), impressive co-signs (Sleater-Kinney’s Corin Tucker is a fan) and a loyal, cross-continent following accrued over three, acclaimed albums: self-released debut Consumer Complaints [2013], a short-run, DIY-distributed release that sold out in a matter of months and was subsequently reissued by FatCat; Why Choose [2015, FatCat], which saw the band touring the States for the first time; and The Official Body [2018, FatCat] – produced by indie pop legend Edwyn Collins – which bagged the threesome a main stage slot at San Francisco Pride. All Or Nothing was written across an intense 10-day period back in February, with sessions spent in London and Glasgow. The songs that emerged are some of Shopping’s boldest yet: confident, elastic, streamlined grooves that crackle with energy and intention. Uniting these ten new songs is an expression of tenacity: commitment, leaps of faith and tests of courage. “A lot has happened in our personal lives since we last recorded,” explains Aggs. “We knew this album was going to reflect that exciting and scary feeling that comes with change, heartbreak and personal evolution.”