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Fly High: A Collection of Album Highli...

6.2M streams

6,169,881

A Pocketful of Starlight: The Best of ...

3.7M streams

3,706,416

Dandelion Albums and BBC Collection

2.6M streams

2,585,701

Dandelion Albums and BBC Collection

2.5M streams

2,458,033

Songs For The Gentle Man

1.6M streams

1,556,910

Ask Me No Questions

1.1M streams

1,104,159

From There / To Here: UK / US Recordin...

238.4K streams

238,448

Thank You For...

173.3K streams

173,340

Rabbit Hills

24.6K streams

24,562

A Pocketful of Starlight - The Best of...

24.1K streams

24,051

Biography

English singer/songwriter Bridget St. John was one of the leading lights of the British folk scene of the late '60s and early '70s, a gifted vocalist and guitarist who also wrote intelligent, impressionistic songs. After an especially active early run that produced classic albums like her psych-tinged 1971 set Songs for the Gentle Man, St. John moved to New York and all but vanished from public performance for over 20 years, re-emerging in the mid-'90s with sporadic concert appearances. Along with her official albums, several compilation collections combed the vaults for unreleased material from her earliest days. 2022 archival release From There/To Here focused on recordings made in the nebulous phase of her artistry between 1974 and 1982. Bridget St. John was born Bridget Hobbs in Surrey on October 4, 1946, and grew up in a musical household where her mother and sisters were all accomplished pianists. St. John took piano lessons at her mother's behest, but she didn't get along with her teacher and quit when she was 11. After studying the viola for a while, St. John bought a guitar with 20 pounds her grandmother gave her shortly before she finished high school. While attending Sheffield University, she learned to play her guitar and fell in with the budding British folk music community, making friends with guitarist and songwriter John Martyn. St. John soon began appearing at leading folk venues in the U.K., where she crossed paths with Nick Drake, Paul Simon, and David Bowie, among others. As her reputation grew, she met John Peel, who was immediately impressed with her talent. St. John made her first appearance on BBC Radio in 1968, and when Peel launched his Dandelion Records label, she was one of the first acts signed. St. John recorded three albums for Dandelion -- 1969's Ask Me No Questions, 1971's Songs for the Gentle Man, and 1972's Thank You For … -- and while they received strong reviews, sales were middling, and St. John was forced to look for a new label when Dandelion went under in late 1972. She recorded a fourth album for Chrysalis Records, 1974's Jumblequeen, and provided backing vocals on albums by Mike Oldfield, Kevin Ayers, and Michael Chapman. But St. John's career took a dramatic left turn when she traveled to the United States in 1976 and opted to stay, making a new home in New York's Greenwich Village. While she played occasional club shows during her first few years in New York, she soon retired as a performer, and was rarely heard from in the '80s. St. John began to re-emerge in the '90s, appearing with the Strawbs at a New York performance in 1993, performing a handful of U.K. club gigs, releasing a collection of rare and unreleased recordings (Take the 5ifth) in 1995, and appearing at a Nick Drake tribute show in 1999. Since then, St. John has performed occasionally in the United States, Britain, and Japan, though on a leisurely schedule. In 2010, Cherry Red Records released a single-disc compilation, A Pocketful of Starlight: The Best of Bridget St. John, that included some newly recorded songs alongside her best-known recordings, and the same label in 2015 issued The Dandelion Albums & BBC Recordings Collection, which featured all three albums St. John recorded for Dandelion (with bonus tracks) and highlights from her BBC radio sessions. The 2022 compilation From There/To Here (also on Cherry Red) served as a counterpart to its predecessor, focusing on St. John's post-Dandelion output. The three sets included the full programs of both Jumblequeen and Take the 5ifth, as well as 17 previously unreleased tracks from the beginning of St. John's time in New York. ~ Mark Deming, Rovi